| Materials |
black finished steel |
| Height: | cm. 31.50 |
| Width: | cm. 219.00 |
| Depth: | cm. 98.00 |
| Video | |
| Duration: | 1/ 3 |
BAROCK - Art, Science, Faith and Technology in Contemporary Ege
13.12.09 | 05.04.10
 Heaven2008 / 2009  Mirror-portraits-stress of our society2009  Fraught Times: For Eleven Months of the Year it's an Artwork and in December it's Christmas (October)2008  Many2009  Natural Historie on the altar Natural Historie on the parapet2008  Dolphin2002  Worker2006  Paravent2008  Dass Kapital ist Kaput? Ya? Nein! Dummkopf!2008  Rivers of Blood2007  Ship of Fools2009  Disasters of War III2000  Men move an engine block2008  Mbreti dhe Mbreteresha2007  Manhole2000  Moulin Rouge2009  Romeo e Giulietta2006  432 Hz2009  Puppets2009  Black Sun2004  Saint Bartholomew, Exquisite Pain2006  Black Sheep, Divided2008  Lost Memories and Dreams Forgotten2008 / 2009  Chaplet2009  FAEZEH2008  Untitled (# 471)2008  Smash Armed faith Rosetted2008  Bombers2006  Europe Supported by Africa and Asia2009  V Shadow2005  Moon Shadow2005  Dark Brother2005  Crepe nel tempo2009  Is freedom therapeutic?2009  Cremaster 3: The Five Points of Fellowship2002  Untitled2009  Ora2008  Etude Documentaire. Le Drapé- le Baroque. Sein unique: monstration phallique Reliquaire Ma chair, le texte et les langages (grand reliquaire anglais)1993  Reliquaire Ma chair, le texte et les langages (grand reliquaire italienne)1993  Le Drapé- Le Baroque Étude documentaire en marbre : Le Drapé-le baroque. Buste d'ORLAN en sainte ORLAN1978  Vierge blanche aux deux croix et au regard en coin (white virgin with two crosses and a sidelong look)1983  Vierge Noire Manipulant une croix blanche et une croix noire (Black virgin wielding white cross and black cross)1983  Operation Reussié , 1991, 8’30’’ Omnipresénce , 1993, 1h 20’1977 - 1993  Opération-chirurgicale-performance n°7 dite Omniprésence Gros plan sur un des rires1993  Relational2009  Four Seasons2009  Untitled2009  Untitled2008  Tutti giù per terra (We all fall down)2004 - 2009 |
Mona Hatoum
Daybed
2998
Courtesy :
Courtesy the artist and Galerie Max Hetzler, Berlin
A landscape of grids, meshes and cages, structures rigid as iron forming places of segregation and imprisonment, violence and cruelty. The sharp weaves of the textures, the minimal forms of the design and the glittering coldness of steel unequivocally evoke the impenetrability of a prison space, the image of harrowing torture, the grievous memories of summary trials and inquisitorial obscurantist tribunals. Through a simple expansion of scale Mona Hatoum transforms kitchen implements into threatening and terrifying architectures, disquieting forms that not only acquire the freedom to become “other”, but the capacity to arouse wonder. Through a marked semantic shift in what is most familiar, Hatoum recreates an alienating and visionary environment with a subversive content, precisely because the aesthetic experience is never separated from the humdrum.
Seleziona la lingua