| Materials | inlay on marble |
| Height: | cm. 60.00 |
| Width: | cm. 220.00 |
| Depth: | cm. 70.00 |
13.12.09 | 05.04.10
 Mirror-portraits-stress of our society2009  Heaven2008 / 2009  Fraught Times: For Eleven Months of the Year it's an Artwork and in December it's Christmas (October)2008  Many2009  Natural Historie on the altar Natural Historie on the parapet2008  Worker2006  Dolphin2002  Daybed2998  Paravent2008  Disasters of War III2000  Rivers of Blood2007  Ship of Fools2009  Dass Kapital ist Kaput? Ya? Nein! Dummkopf!2008  Men move an engine block2008  Mbreti dhe Mbreteresha2007  Moulin Rouge2009  Manhole2000  Romeo e Giulietta2006  432 Hz2009  Puppets2009  Saint Bartholomew, Exquisite Pain2006  Lost Memories and Dreams Forgotten2008 / 2009  Black Sheep, Divided2008  Black Sun2004  Chaplet2009  FAEZEH2008  Armed faith Europe Supported by Africa and Asia2009  Bombers2006  Rosetted2008  Smash Untitled (# 471)2008  Dark Brother2005  Moon Shadow2005  V Shadow2005  Crepe nel tempo2009  Is freedom therapeutic?2009  Cremaster 3: The Five Points of Fellowship2002  Ora2008  Untitled2009  Reliquaire Ma chair, le texte et les langages (grand reliquaire italienne)1993  Le Drapé- Le Baroque Étude documentaire en marbre : Le Drapé-le baroque. Buste d'ORLAN en sainte ORLAN1978  Reliquaire Ma chair, le texte et les langages (grand reliquaire anglais)1993  Etude Documentaire. Le Drapé- le Baroque. Sein unique: monstration phallique Vierge blanche aux deux croix et au regard en coin (white virgin with two crosses and a sidelong look)1983  Vierge Noire Manipulant une croix blanche et une croix noire (Black virgin wielding white cross and black cross)1983  Operation Reussié , 1991, 8’30’’ Omnipresénce , 1993, 1h 20’1977 - 1993  Opération-chirurgicale-performance n°7 dite Omniprésence Gros plan sur un des rires1993  Relational2009  Four Seasons2009  Untitled2008  Tutti giù per terra (We all fall down)2004 - 2009 |
Domenico Bianchi
Untitled
2009
Courtesy :
Courtesy l’artista
Domenico Bianchi transforms the sheet into a drape of solid marble, a capricious arabesque capable of retaining the symbolic suspension of a Memento Mori amid its folds by the inherent quality which things possess of surviving man, revealing the transience of our earthly existence, as in the Baroque teache: the twisted and dramatic drape carved by Gian Lorenzo Bernini in the Ecstasy of saint Teresa d' Avila (1647-52, church of Saint Maria of the Victoria, Rome); the flying cape under the Busto di Luigi XIV (1665, Castle of Versailles); the wide folds drape of alabaster from which, in the Sepolcro di Alexander VII, the Dead reveals her hourglass (1671-78, Basilica of S. Peter, Vatican City).
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