| Materials |
Ink jet paper on archive's cartographic material |
| Height: | cm. 77.80 |
| Width: | cm. 199.39 |
Shipwreck with Spectator 1974-2004
30.05.09 | 12.10.09
 Untitled1974  Untitled1974  Untitled1974  Untitled1979  Untitled1979  Untitled1979  Le pazienze1975  Untitled1974  Untitled1974  Untitled1974  1974  Untitled1974  Untitled1974  Untitled1974  Untitled1974  Untitled1976  Untitled1974  Untitled1977  Untitled1977  Untitled1977  Untitled1977  Untitled
1977  Untitled
1977  Untitled
1977  Untitled1977  Untitled
1977  Untitled
1977  Untitled1977  Untitled1977  Untitled1978  Untitled1978  Due1979  Emblems1968  Foucoult's Portrait
1978  Twins1978  Untitled1978  Undae Clemente flamina pulsae1978  Water & Wine1981  Earth1980  Hunger1980  My Last Painting1985  Evolution1983 - 1984  Ave Ovo1985  Portrait of Luigi Ontani1985  Portrait of Samantha McEwen1985  Selfportrait with Animals1985  Perseverance1982  1982  Midnight Sun II1982  Atla1983  Untitled
1983  My Parents1982  My House1982  Everything I know1981  Lovers1983  Swastika1983  1983  The Departure of the Argonaut1983 - 1986  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Unititled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitled1983 - 1986  Untitiled1983 - 1986  Place of Power III1989  Alpine Grip1987  Tree1987 - 1988  Place of Power I1989  Choise2003  Heart2003  Ex Libris Chenonceau1994 - 1995  Ex Libris Chenonceau1994 - 1995  Ex Libris Chenonceau1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Untitled1994 - 1995  Unttiled1998  Untitled1998  Untitled1998  Untitled1998  Untitled1998  The Sky
2000  Dictionary1997 ![FRANCESCO CLEMENTE, Paesaggio [Landscape]](http://mm.fondazionedonnaregina.it/foto/box_80/opera855_museo_madre.jpg) Paesaggio [Landscape]2000  Desire1998  The hand of strangers1998  Five steps2001  Dialogue2001  Tandoori Satori # 252004  Tandoori Satori # 182004  Three Walls (Dictionary1997  Illustrations for In the South of Salman Rushdie2008 ![FRANCESCO CLEMENTE, In meiner Heimat I [In My native Land I]](http://mm.fondazionedonnaregina.it/foto/box_80/opera862_museo_madre.jpg) In meiner Heimat I [In My native Land I]2009 ![FRANCESCO CLEMENTE, In meiner Heimat II [In My Native Land II]](http://mm.fondazionedonnaregina.it/foto/box_80/opera863_museo_madre.jpg) In meiner Heimat II [In My Native Land II]2009 ![FRANCESCO CLEMENTE, In meiner Heimat III [In My Native Land III]](http://mm.fondazionedonnaregina.it/foto/box_80/opera864_museo_madre.jpg) In meiner Heimat III [In My Native Land III]2009 ![FRANCESCO CLEMENTE, In meiner Heimat IV [In My Native Land]](http://mm.fondazionedonnaregina.it/foto/box_80/opera865_museo_madre.jpg) In meiner Heimat IV [In My Native Land]2009 ![FRANCESCO CLEMENTE, In meiner Heimat V [In My Navive Land V]](http://mm.fondazionedonnaregina.it/foto/box_80/opera866_museo_madre.jpg) In meiner Heimat V [In My Navive Land V]2009 ![FRANCESCO CLEMENTE, In meiner Heimat VI [In My Native Land VI]](http://mm.fondazionedonnaregina.it/foto/box_80/opera867_museo_madre.jpg) In meiner Heimat VI [In My Native Land VI]2009  In meiner Heimat VII2009  In meiner Heimat IX 2009 ![FRANCESCO CLEMENTE, [Nella mia patria X]](http://mm.fondazionedonnaregina.it/foto/box_80/opera872_museo_madre.jpg) [Nella mia patria X]
2009 |
FRANCESCO CLEMENTE
In meiner Heimat VIII
2009
Courtesy :
Courtesy the artist
In 2009 Clemente executes, on purpose for this exhibition, a series of maps entitled In meiner heimat, “in my homeland”, where by homeland he means not only his native country but above all an imaginary territory. It is a collection of ten geographic maps executed using the collage technique, which reconstruct ideal countries and cities, plausible though nonexistent topographies. Non-places that, rather than inhabiting the space, live in the fluid and stratified time of memory, which moves between forgetfulness and memory, imagination and quotation. Just like Clemente’s art moves freely between abstraction and figuration, past and present, opposed and contrary elements, looking for a confrontation with “the other” – the different, the stranger, the foreigner – in which one can continuously get lost and find oneself, like in a sweet shipwreck.
[...] sitting in Madras at the Theosophical Society for several years, I was reading Indian authors who were familiar with the writings of Emerson, of Thoreau. So in India ...
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