materials and measurement
|
Materials
|
pigment on canvas
|
|
Height:
|
cm. 213.50 |
|
Width:
|
cm. 340.50 |
Other Works in
Shipwreck with Spectator 1974-2004
30.05.09 | 12.10.09
Untitled
1974
Untitled
1974
Untitled
1974
Untitled
1979
Untitled
1979
Untitled
1979
Le pazienze
1975
Untitled
1974
Untitled
1974
Untitled
1974
1974
Untitled
1974
Untitled
1974
Untitled
1974
Untitled
1974
Untitled
1976
Untitled
1974
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1978
Untitled
1978
Due
1979
Emblems
1968
Foucoult's Portrait
1978
Twins
1978
Untitled
1978
Undae Clemente flamina pulsae
1978
Water & Wine
1981
Earth
1980
Hunger
1980
My Last Painting
1985
Evolution
1983
- 1984
Ave Ovo
1985
Portrait of Luigi Ontani
1985
Portrait of Samantha McEwen
1985
Selfportrait with Animals
1985
Perseverance
1982
1982
Midnight Sun II
1982
Atla
1983
Untitled
1983
My Parents
1982
My House
1982
Everything I know
1981
Lovers
1983
Swastika
1983
1983
The Departure of the Argonaut
1983
- 1986
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Unititled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitiled
1983
- 1986
Place of Power III
1989
Alpine Grip
1987
Tree
1987
- 1988
Choise
2003
Heart
2003
Ex Libris Chenonceau
1994
- 1995
Ex Libris Chenonceau
1994
- 1995
Ex Libris Chenonceau
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Unttiled
1998
Untitled
1998
Untitled
1998
Untitled
1998
Untitled
1998
The Sky
2000
Dictionary
1997
Paesaggio [Landscape]
2000
Desire
1998
The hand of strangers
1998
Five steps
2001
Dialogue
2001
Tandoori Satori # 25
2004
Tandoori Satori # 18
2004
Three Walls (Dictionary
1997
Illustrations for In the South of Salman Rushdie
2008
In meiner Heimat I [In My native Land I]
2009
In meiner Heimat II [In My Native Land II]
2009
In meiner Heimat III [In My Native Land III]
2009
In meiner Heimat IV [In My Native Land]
2009
In meiner Heimat V [In My Navive Land V]
2009
In meiner Heimat VI [In My Native Land VI]
2009
In meiner Heimat VII
2009
In meiner Heimat VIII
2009
In meiner Heimat IX
2009
[Nella mia patria X]
2009
|
FRANCESCO CLEMENTE
Place of Power I
1989
Courtesy :
Collection of Museo Madre, donation of the artist
The paintings of the series Place of Power of 1989 are only partly inspired by the funerary chambers of the Valley of the Kings, that the artist visited in 1986. Made up of geometric
and ornamental elements, they are more suggestive of a field of forces than of a specific place, a feature borrowed from the Abstract and Informal tradition of the post World War II period. They bear no reference to reality, except for the presence of an ornamental element, which in Place of Power I can be identified with one of the candelabra that adorned the frescoes housed in the Augustan villa of Agrippa Postumus in Boscotrecase, near Pompeii. The villa, destroyed by the eruption of Vesuvius in 79 AD and brought back to light in the early XX century, was in fact decorated in the socalled third Pompeian style or “candelabra style” (the original fresco is housed in the Metropolitan Museum of Art, New York).
The paintings of the series Place of Power of 1989 are only partly inspired by the funerary chambers of the Valley of the Kings, that the artist visited in 1986. Made up of geometric and ornamental elements, they are more suggestive of a field of forces than of a specific place, a feature borrowed from the Abstract and Informal tradition of the post World War II period. They bear no reference to reality, except for the presence of an ornamental element, which in Place of Power I can be identified with one of the candelabra that adorned the frescoes housed in the Augustan villa of Agrippa Postumus in Boscotrecase, near Pompeii. The villa, destroyed by the eruption of Vesuvius in 79 AD and brought back to light in the early XX century, was in fact decorated in the so-called third Pompeian style or “candelabra style” (the original fresco is housed in the Metropolitan Museum of Art, New York).
Related Works
FRANCESCO CLEMENTE
Napoli 1952
[...] sitting in Madras at the Theosophical Society for several years, I was reading Indian authors who were familiar with the writings of Emerson, of Thoreau. So in India ...
[
continues
]