materials and measurement
|
Materials
|
fresco on metallic suppor with bar
|
|
Height:
|
cm. 156.21 |
|
Width:
|
cm. 66.04 |
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Depth:
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cm. 7.62 |
Other Works in
Shipwreck with Spectator 1974-2004
30.05.09 | 12.10.09
Untitled
1974
Untitled
1974
Untitled
1974
Untitled
1979
Untitled
1979
Untitled
1979
Le pazienze
1975
Untitled
1974
Untitled
1974
Untitled
1974
1974
Untitled
1974
Untitled
1974
Untitled
1974
Untitled
1974
Untitled
1976
Untitled
1974
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1977
Untitled
1978
Untitled
1978
Due
1979
Emblems
1968
Foucoult's Portrait
1978
Twins
1978
Untitled
1978
Undae Clemente flamina pulsae
1978
Water & Wine
1981
Earth
1980
Hunger
1980
My Last Painting
1985
Evolution
1983
- 1984
Ave Ovo
1985
Portrait of Luigi Ontani
1985
Portrait of Samantha McEwen
1985
Selfportrait with Animals
1985
Perseverance
1982
1982
Midnight Sun II
1982
Atla
1983
Untitled
1983
My Parents
1982
My House
1982
Everything I know
1981
Swastika
1983
1983
The Departure of the Argonaut
1983
- 1986
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Unititled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitled
1983
- 1986
Untitiled
1983
- 1986
Place of Power III
1989
Alpine Grip
1987
Tree
1987
- 1988
Place of Power I
1989
Choise
2003
Heart
2003
Ex Libris Chenonceau
1994
- 1995
Ex Libris Chenonceau
1994
- 1995
Ex Libris Chenonceau
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Untitled
1994
- 1995
Unttiled
1998
Untitled
1998
Untitled
1998
Untitled
1998
Untitled
1998
The Sky
2000
Dictionary
1997
Paesaggio [Landscape]
2000
Desire
1998
The hand of strangers
1998
Five steps
2001
Dialogue
2001
Tandoori Satori # 25
2004
Tandoori Satori # 18
2004
Three Walls (Dictionary
1997
Illustrations for In the South of Salman Rushdie
2008
In meiner Heimat I [In My native Land I]
2009
In meiner Heimat II [In My Native Land II]
2009
In meiner Heimat III [In My Native Land III]
2009
In meiner Heimat IV [In My Native Land]
2009
In meiner Heimat V [In My Navive Land V]
2009
In meiner Heimat VI [In My Native Land VI]
2009
In meiner Heimat VII
2009
In meiner Heimat VIII
2009
In meiner Heimat IX
2009
[Nella mia patria X]
2009
|
FRANCESCO CLEMENTE
Lovers
1983
Courtesy :
Gallery Sperone Westwater
In the early 1980s Clemente switches from small to large format, executing works that, as far as the size is concerned, aspire to have an architectural function and to compete with the fresco, a technique he experiments both on metal objects (Everything I know, 1981; Lovers and Swastika, 1983), and on table (Untitled, 1983). My Parents, My House (1982) and My World War III (1983) are three big "teleri", mindful of the Venetian Renaissance tradition that the artist got to know in 1977 during a stay in the lacunar city. Characterized by a complex iconography and animated by a sort of horror vacui, these works mark the definitive separation of the artist from his personal past and the achievement of a new freedom of action. This freedom manifests itself through the undisciplined and unconventional use of iconographic elements drawn from the history of art as well as from popular traditions, or through the new creation of his imaginative world. In My House - started in Italy and completed in few days of hectic work in Berlin in order to be displayed in the collective exhibition Zeitgeist held at the Martin-Gripius Bau – the furniture is in fact covered by sheets and the house appears abandoned. In this larger-than-life image Clemente experiments for the first time in painting a strategy developed in 1975, excessively enlarging the photograph of one of his drawings focused on doubles and on binary couples. Similarly, My House is divided in two parts by an orange form that serves both as a ceiling and as a floor. The top of the painting features the Elephanta caves, in India, dating from the V-XI century AD. The presence of the Telamons and the capital with the Atlas suggests a tribute to two texts by Alberto Savinio: Casa "La vita" of 1943 and the short story La casa stupida, published in the collection Tutta la Vita of 1945, featuring once again the allegory of life both as a house full of everyday and allusive objects, and as a realm of memory and imagination. In an interview of 1981 the artist in fact mentions explicitly La casa stupida, underlining the value that the writer attached to memory, which according to him was embodied by the Telamon, who in the story supports the house.
Related Works
FRANCESCO CLEMENTE
Napoli 1952
[...] sitting in Madras at the Theosophical Society for several years, I was reading Indian authors who were familiar with the writings of Emerson, of Thoreau. So in India ...
[
continues
]