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Works
2.19
 I FLOOR - ROOM 2.19

 

materials and measurement
Measurement: Variable Dimensions

 

Other Works in
Permanent collection
Domenico Bianchi, Untitled Untitled
2005
FRANCESCO CLEMENTE, Ave Ovo Ave Ovo
2005
Luciano Fabro, Il Cielo di San Gennaro Il Cielo di San Gennaro
2005
JEFF KOONS, Untitled Untitled
2005
JEFF KOONS, Untitled Untitled
2005
JEFF KOONS, Wild Boy and Puppy Wild Boy and Puppy
1988
ANISH KAPOOR, Dark brother Dark brother
2005
Mimmo Paladino, Untitled Untitled
2005
Jannis Kounellis, Untitled Untitled
2005
REBECCA HORN, Spirits Spirits
2005
GIULIO PAOLINI,
1995 - 2005
Richard Serra, Giuditta ed Oloferne Giuditta ed Oloferne
2005
SOL LEWITT, 10,000 Lines 10,000 Lines
2005
Jannis Kounellis, Untitled Untitled
2006
Mimmo Paladino, Horse Horse
2006
RICHARD LONG, Line of Chance (2005)
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RICHARD LONG

Line of Chance

2005

 

 

 

 

Richard Long’s art develops around a quest for balance and a fusion between nature in the “first” state and man’s abstract, primordial geometrical representations. Culture and nature, in their most absolute, universal, schematic and synthetic form. The natural world with the total absence of man together with the ancestral configurations of man’s will and his capacity to communicate and to mark his own vision and his own presence of the reality on this planet, his propensity for reorganising it according to mathematical rules. A circle assembled with stones found in the desert or a line obtained by stamping on grass or snow, present and perpetuate through a universally recognisable form the innate desire to unite
with nature and the innate instinct to abstract and schematize reality.
Long has always taken long solitary journeys on foot through landscapes, crossing deserts and meadows, forests and glaciers at all latitudes. The action of walking has allowed him to broaden the borders of the idea and the practice of sculpture which, in his work, through the potentiality of being deconstructed in space and in time, becomes concrete both around the concept of place and the concept of material and of form. In the installation for the MADRE a primordial element like mud, the union of water and earth, distributed horizontally on the walls of the room imparts its archaic identity constituting, at one and the same time, the material and the message of the work.

 

 

 

 

RICHARD LONG
RICHARD LONG
Bristol 1945
The land art movement arose at the end of the Sixties in America and Britain. The artists’ intent was to modify the landscape, altering its elements so as to create ...
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photo gallery
© MADRE© MADRE

 

 

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