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Works
2.20
 I FLOOR - ROOM 2.20

 

materials and measurement
Measurement: Variable Dimensions

 

Other Works in
Permanent collection
Domenico Bianchi, Untitled Untitled
2005
FRANCESCO CLEMENTE, Ave Ovo Ave Ovo
2005
Luciano Fabro, Il Cielo di San Gennaro Il Cielo di San Gennaro
2005
JEFF KOONS, Untitled Untitled
2005
JEFF KOONS, Untitled Untitled
2005
JEFF KOONS, Wild Boy and Puppy Wild Boy and Puppy
1988
ANISH KAPOOR, Dark brother Dark brother
2005
Mimmo Paladino, Untitled Untitled
2005
Jannis Kounellis, Untitled Untitled
2005
REBECCA HORN, Spirits Spirits
2005
GIULIO PAOLINI,
1995 - 2005
Richard Serra, Giuditta ed Oloferne Giuditta ed Oloferne
2005
RICHARD LONG, Line of Chance Line of Chance
2005
Jannis Kounellis, Untitled Untitled
2006
Mimmo Paladino, Horse Horse
2006
SOL LEWITT, 10,000 Lines (2005)
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SOL LEWITT

10,000 Lines

2005

 

 

 

 

Sol LeWitt is one of the artists who has made the greatest contribution to pursuing and developing the process which started with Modernism, changing, reversing the definition and the conventional rules of the artistic practice and of its material production through the abolition of the notions of uniqueness, of the unrepeatable, of the individual ability for manual execution in favour of an absolute supremacy of the idea. In conceptual art, of which LeWitt was one of the founding fathers in the Sixties, the idea or the concept represents the most important aspect of the work of art. To use the artist’s words,
the idea becomes the instrument which produces the art. This definition
is exemplified in his famous Wall Drawings like those selected for his room in the MADRE. Starting with his first artist’s book in 1968 LeWitt constructed a range of variations on the straight line superimposed in four directions. This system was then applied and developed on a large scale by the artist or, indifferently by his assistants, redesigning it meticulously on large wall areas. In recent years the artist has incorporated fluid, sinuous lines, which often intersect, into his Wall Drawings, obtaining a further rhythmic aspect which seems to curve and fragment space in a multitude of unpredictable directions.

 

 

 

 

SOL LEWITT
SOL LEWITT
Hartford, Connecticut 1928 | New York 2007
I was trying to get away from the idea that they were rationalists. All artists I think are mystics to the extent that they do something that's not been done before [...]. An ...
[ continues ]

 

 

 

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Line of Chance
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Untitled