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Works
materials and measurement
Materials

C-print
Height: cm. 51.00
Width: cm. 40.00
Edition:

7/25

 

Other Works in
People

29.06.06 | 28.08.06

Nobuyoshi Araki, Untitled(Nude) Untitled(Nude)
Pierre Bismuth, Following the right hand of - Lana Turner (in the postman always ring twice) Following the right hand of - Lana Turner (in the postman always ring twice)
2005
Jeff Burton, Untitled 80(Terracotta) Untitled 80(Terracotta)
1998
Jeff Burton, Untitled 145 (Chanel) Untitled 145 (Chanel)
2000
Jeff Burton, Untitled 96 (Desk) Untitled 96 (Desk)
1998
Peter Coffin, Untitled (Pirate) Untitled (Pirate)
2005
Jeremy Deller, I love Melancholy I love Melancholy
2000 - 2005
Nicola Gobbetto, Disneyland Disneyland
2004
Delia R. Gonzalez & Gavin R. Russom, Rise Rise
2005
Delia R. Gonzalez & Gavin R. Russom, Vesuvius N°1 Vesuvius N°1
2005
Delia R. Gonzalez & Gavin R. Russom, Dionysos N°3 Dionysos N°3
2005
Thomas Hirshhorn, Tommy girl Tommy girl
2003
Thomas Hirshhorn, Win Win situation Win Win situation
2003
Scott King, Pink cher Pink cher
2002
Paul McCarthy, The Bavarian Deer The Bavarian Deer
1999
Francesco Vezzoli, Embroidering. Veruschka was here Embroidering. Veruschka was here
2001
Matthew Barney, The Balad of Gary Gilmore The Balad of Gary Gilmore
1999
Jake e Dinos Chapman, Forhead Forhead
1997
PHIL COLLINS, Bujar and Meg Bujar and Meg
2003
Astro Focus, Dylan Dylan
2002
Astro Focus, Romantic Romantic
2002
Astro Focus, Fence Fence
2002
Astro Focus, Mamphis 2 Mamphis 2
2004
Vanessa Beecroft, Vb26 Vb26
1997
Slater Bradley, I miss the comfort of being sad I miss the comfort of being sad
2005
Jason Brooks, Xed Xed
2004
Jota Castro, The flag The flag
1988
Larry Clark, Untitled (Serie Tulsa) Untitled (Serie Tulsa)
1980
Larry Clark, Untiltled (Serie Tulsa) Untiltled (Serie Tulsa)
1980
Jen Denike, Vampire portraits (bmx boys) Vampire portraits (bmx boys)
2003
Amie Dicke, Heidi II Heidi II
2003
Iris Van Dongen, Only God can judge me Only God can judge me
2004
Stef Driesen, Cosmic Landscape N 1 Cosmic Landscape N 1
2004
Yang Fudong, The first intellectual The first intellectual
2000
Luis Gispert, Stereomongrel Stereomongrel
2005
Nan Goldin, Joanna Laughing,Hotel Paris Joanna Laughing,Hotel Paris
1999
Piero Golia, Tatoo Tatoo
2001
Terence Koh, 17 boys I whispered 17 secret nothing words to 17 times today 17 boys I whispered 17 secret nothing words to 17 times today
2005
Bruce LaBruce, Epic slava Epic slava
1999
Peter Land, Pink space Pink space
1995
Annika Larsson, 816 816
1972
Loretta Lux, Boy in blue raincoat 2 Boy in blue raincoat 2
2001
Ryan McGinley, Dash cutting lines Dash cutting lines
2000
Ryan McGinley, Dan and Eric Dan and Eric
2001
Birgit Megerle, Untitled Untitled
2005
Jonathan Monk, Brown eyes Brown eyes
2003
Yasumasa Morimura, Self-portrait (Actress) after Jodie Foster 2 Self-portrait (Actress) after Jodie Foster 2
1996
Yoshitomo Nara, Untitled (Tamago) Untitled (Tamago)
2000
Paulina Olowska, Looking up,not down Looking up,not down
1999
Paul P., Untitled (Man's face) Untitled (Man's face)
2004
Martin Parr, Common sense (Priest) Common sense (Priest)
1999
Mel Ramos, Miss American legion Miss American legion
1964
Ugo Rondinone, I don't live here anymore I don't live here anymore
2001
Collier Schorr, The brothers (A.M. & M.M.) The brothers (A.M. & M.M.)
2003
Steven Shearer, Live in the port coquitlam Live in the port coquitlam
2003
Steven Shearer, Nash Nash
2005
Padraig Timoney, Che meraviglia Che meraviglia
1997
Lisa Yuskavage, Dark Garden II Dark Garden II
2003
Gillian Wearing, Self-Portrait Self-Portrait
2000
Kehinde Wiley, Passing and posing Passing and posing
2003
Marilyn Minter, Crisco (2002)
zoom

Marilyn Minter

Crisco

2002

 

 

 

 

In her works Marylin Minter immortalizes the fleeting moment of beauty where even imperfection, flaw and excess are necessary to confer new and interesting nuances. Alternating photography and painting the artist always moves in the same iconographic universe of fashion. The images however, are, emblematically grotesque and escape the game of the homologation of the fashion system. Both her enamels on metal and her photos investigate the diseases of the glamour world. Minter emphasizes ambiguous parts of the body framing them, distorting shapes and colors. So parts of the face are unrecognizable for the excess of make-up described as a mask of hypocrisy, jewled sandals that splash in mud, a model's teeth spotted with lipstick. While her extravagant photographic work mocks the easily identifiable world of fashion advertisement, her paintings amplified, by super glossy surfaces of shiny enamel, communicate a brutal and realistic feeling of lust and desire.

 

 

 

 

Marilyn Minter
Marilyn Minter
Shreveport,Louisiana 1948
In her works Marylin Minter immortalizes the fleeting moment of beauty where even imperfection, flaw and excess are necessary to confer new and interesting nuances. Alternating ...
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