materials and measurement
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Materials
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13 telegrams, plexiglass
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|
Height:
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cm. 25.00 |
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Width:
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cm. 285.00 |
Other Works in
Alighiero & Boetti Putting Art in the World 1993 - 1962
21.02.09 | 11.05.09
Oeuvre postale
1993
Alternating One to One Hundred and Vice Versa
1993
Anno 1990 (Year 1990)
1990
Mappa
1989
- 1992
Cartoline astratte
1987
Codice: Eritrea libera
1975
La Mole Antonelliana
1973
- 1975
Permutazione e disegni (Lavoro Postale)
1973
Autodisporsi (Lavoro postale) (Placing oneself – Postal work)
1972
Otto lettere dall'Afghanistan
Otto lettere dall'Afganistan
1972
Viaggi Postali
1969
- 1970
Dossier Postale (Postal dossier)
1970
- 1971
Lampada annuale
1966
Niente da vedere nulla da nascondere
1969
/ 1986
Colonna
1968
Mimetico
1967
12 forme a partire dal 10 giugno 1967
1967
- 1971
Territori occupati
Territori occupati
1969
Ordine e disordine
1973
AW:AB=L:MD
1967
Gemelli
1968
Shaman Showman
1968
Io che prendo il sole a Torino il 19 Gennaio 1969
1969
/ 1992
Cimento dell'armonia e dell'invenzione
1969
Strumento musicale
1970
The Sighted
1967
Pile
1966
Untitled (Radial Turntable, Zenithal Turntable)
1969
Untitled (Stella Performance)
1969
Petite composition en bois
1962
Senza Titolo
1965
Untitled
1965
Insicuro noncurante
1972
- 1976
Mettere al mondo il mondo
1972
- 1973
Onomino
1973
Iter-vallo
1969
/ 1986
AEB 197 la metà e il doppio
1974
Autodisporsi
1974
Autodisporsi
1974
Storia naturale della moltiplicazione
1974
- 1975
Ciò che sempre parla in silenzio è il corpo
1975
Tracce del racconto
1976
I sei sensi
1973
Il dolce far niente
1975
Order and disorder
1979
Vento
1985
Wind
1985
The thousand longest rivers in the world - project
1975
Classifying, the thousand longest rivers in the world
1977
Nature, an obtuse matter
1980
Twenty-five times twenty-five six-hundred twenty-five letters
1988
La natura, una faccenda ottusa[Nature, an obtuse matter]
1980
Animal Kingdom – Within oneself
1978
Musical Kingdom – Within oneself
1979
Kingdom of maps – Within oneself
1979
Tra sé e sé [Within oneself]
1987
Everything)
1988
Self-portrait
1993
/ 1996
|
Alighiero Boetti
Serie di merli disposti a intervalli regolari lungo gli spalti di una muraglia (
Serie di merli disposti a intervalli regolari lungo gli spalti di una muraglia
1971
- 1993
Courtesy :
Boetti started to become interested in the postal system at the end of the Sixties, realising the multiple communicative and aesthetic opportunities it offered. Serie di merli disposti a intervalli regolari lungo gli spalti di una muraglia is a work in progress which he started in 1971 and continued all his life. It consists of a sequence of 13 telegrams he sent to the gallery owner Gian Enzo Sperone, following a principle of exponential increase beginning at the same starting date. The first telegram, sent on May 4 1971 said “two days ago it was May 2, 1971; the second, sent on 6 May, said: “four days ago it was May 2” and so on, with the time interval doubling each time. The last telegram, sent on 5 October 1993 said: “8,192 days ago it was May 2 1971”. The mathematical calculation is so precise it challenges every measure or prediction, as the blank space on the board demonstrates. It has been left so the artist can mount a 14th telegram there in the event he was still alive in 2017. The large time-scale that the work incorporates is reflected in the form which - as the title says – is like a long fortified wall with merlons transforming time into continuous space.
Alighiero Boetti
Torino 1940
| Roma 1994
I always find myself talking about the notion of double, which […] is present in all my work. The truth is that it is a natural reality: it is incontrovertible that a cell ...
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