18.05.08 | 15.09.08

Ismus -(Isms) 2006 G. – Kopf [G. – Head] 1960 - 1961 Große Nacht im Eimer [Big night in a bucket] 1962 - 1963 Hommage à Wrubel (Michail Wrubel - 1911 / alte Heimat - Scheide der Existenz) [Homage to Wrubel (Michail Wrubel – 1911/ The old homeland – Limits of existence)] 1963 Geschlecht mit Klossen (Sex with dumpings) 1963 Das idol - (The Idol) 1963 Rebell [Rebel] 1965 Der Baum [The Tree] 1966 Aus der Traum (End of dream) 1963 Idol (Idol) 1963 Ralf 1 1965 Okonomie (economy) 1965 Die Hand - Das Brennede Haus (The Hand - Burining house) 1964 Vier Steifen – G. Antonin [Four strips – G. Antonin] 1966 1966 Lockenkopf mit beil - (Curly head with Axe) 1967 Vogel [Bird] 1972 Fingermalerei – Apfelbaum [Finger painting – Apple tree] 1971 - 1973 Schlafzimmer [Bedroom] 1975 P. D. Fuß (P. D. Foot) 1962 James 1959 Kreuz - (Cross) 1960 P.D. 1962 Nachstock - (Night Stick) 1962 Herz - (Heart) 1964 Der Wald [The Forest] 1965 Falle - (Trapp) 1965 Schubkarre - (Barrow) 1965 Ein neuer typ - (A new type) 1965 Ein neuer typ - (A new type) 1966 Der maler im mantel - (The Painter in a Coat) 1966 Grosser kopf - (Large head) 1966 Mann mit hund - 3 Streifen - (Man with Dog- Three Stripes) 1967 Ohne Titel (Untitled) 1979 - 1980 Ohne titel - (Untitled) 1983 Männlicher Akt - Die Flasche (2. Gruppe) / Diptychon [Nude male – The bottle (II Group) / Dyptic 1977 Kleines Straßenbild, 28 Tafeln [Small street view, 28 panels] 1979 Ballspielerin - Strandbild 4 (Woman with a ball- Beach Picture 4) 1980 Handtuch - Strandbild 6 - ( Towel - Beach Picture 4 ) 1980 Mannlicher Akt - Die Flasche (2.gruppe) / Diptychon, rechte Tafel - (Nude male - The buttle 2° group/diptich) 1977 Portrait Elke - (Portrait of Elke) 1969 Akt - (Nude) 1972 Akt - (Nude) 1972 Teichdamm (Pond Dam) 1972 Mannlicher akt (Nude Male) 1974 Akt - (Nude) 1973 Teichdamm (Pond Dam) 1974 Birken Piskowitz - (Piskowitz Birch Trees) 1976 Akt Elke - (Nude Elke) 1976 Stilleben - (Still Life) 1977 Birnbaum - (Pear Tree) 1978 Flasche - (Bottle) 1978 Adlerkopf - (Eagle head) 1978 Orangenesser - (Orange eater) 1981 Orangenesser - (Orange Eater) 1981 Orangenesser - (Orange Eater) 1981 Kopf gegen die wand - (Head against the wall) 1982 Orangenesser - (Orange eater) 1981 Orangenesser - (Orange eater) 1981 Nacht mit hund - (Night with dog) 1982 Orangenesser [Orange eater] 1982 Orangenesser [Orange eater] 1982 Orangenesser (Remix) [Orange eater (Remix)] 2005 Ohne titel - (Untitled) 1982 Hande uberm kopf - (Hands over the head) 1985 Aschtöpfe - (Pots for the ashes) 1988 - 1989 Beine [Legs] 1998 Abgesandte bei Lenin (Serow) [Supplicants meet Lenin (Serow)] 1998 Ekely 1943 2004 Orangenesser I (Remix) [Orange Eater I (Remix)] 2005 Der dichter - The poet (Remix) 2005 Adler (Remix) [Eagle (Remix)] 2007 Adler (Remix) - Eagle (Remix) 2006 Zwei Meissener Waldarbeiter 1967 (Remix) -Zwei Meissener Waldarbeiter 1967 (Remix) 2006 Der Hirte (Remix) - (The Sheperd Remix) 2007 Besuch in Ekely (Remix) 2006 Der Dichter (Remix) 2007 Sujet populaire (Remix) - (Popular subject Remix) 2007 Bildvier 91 - (Remix) 2007 Adieu (Remix) - (Good-bye Remix) 2007 Akt 1973 (Remix) - (Nude 1973 Remix) 2007 65 (Remix) 2007 Ein Roter 66 - Redman (remix) 2007 Sandteichdamm 1953 (remix) - (Sand pond dam Remix) 2006 Geschlecht mit Klossen (remix) - (Sex with dumplings remix) 2007 Moderner Maler (Remix) [Modern painter (Remix)] 2007 Der Asprung (Remix) [The Jump (Remix)] 2007 Regietheater - Regiemalerei [Director's Theater - Director's Painting] 2007 Remix im Eimer (Lost remix) 2007 Die Hand - brennendes Haus (Remix) [The hand - The burning house (Remix)] 2005 Sujet populaire contraire [Popular subjet reversed] 2007

Georg Baselitz

Lockinger (Curly Head)

1966

Courtesy :

A technical accident – two parts of a Hero which don’t fit together properly – gives Baselitz, in 1966, an idea for a kind of art which is free from historical-literary content, anecdotal references or realistic description yet which cannot be classified as abstract either. The first works of this kind are Streifenbilder or Fragmented pictures where the subject appears to be broken up into horizontal strips and then put back together again but in the wrong place, thus shaping the illusory space of the picture. By dividing up the space, Baselitz achieves the kind of art which is both figurative and non-iconic, avoiding the opposition between realism and abstraction. The breaks in the work prevent any easy reading of the image, though the image resists, and they constitute a new, original response to the problem of how to organize the canvas, the relationship between figure and background and between overall image and fragments. The subject matter, which is generally rustic or rural in nature, is described using broad, dense, bright brush-strokes, and the borders of the various strips blend in to form part of the painting’s overall symphony of colour. These paintings are organised in additional registers like different parts of a mosaic, and they remind us of the collage technique and the different facets of cubist de-structuring. The painting is a tribute to the surrealist Antonin Artaud (1896–1948). Baselitz puts a G before the name of the French writer, which is his own initial, as a kind of posthumous declaration of solidarity for his suffering and membership of his Theatre of cruelty (1932-33). A horribly functional kind of poetry that physically assaults the public and forces them to change.
 

Vier Steifen – G. Antonin [Four strips – G. Antonin]

1966

1966

Lockenkopf mit beil - (Curly head with Axe)

1967

Mann mit hund - 3 Streifen - (Man with Dog- Three Stripes)

1967

Deutschbaselitz 1938
Hans Georg Kern was born 23 January, 1938 in Saxony, Deutchbaselitz. His family moved to Kamenz, in 1950 where he completed his secondary school education and began learning the ...
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