| Materials |
sewn cloth |
| Height: | cm. 103.30 |
| Width: | cm. 78.00 |
Historical Collection
 Short sighted mirror 32006  Corpo d’aria n.281959 - 1960  Merda d’artista (n.63)1961  Linea 15,811959  Fiato d'artista1960  untitled1962  Concetto Spaziale1960  La barra d'aria1969 / 1996  Untitled1960  Payload1962  Calendar1962  Untitled1967  A De Chirico1962  Do it yourself (Target)1960  Untitled1960  Place of Power III1989  Place of Power I1989  Untitled1968  A line in Ireland1974  Direzione1966 - 1967  Untitled1971  Raw/War1970  L'incidente1964  Frammenti di un autoritratto anonimo1969 - 1970  Untitled1966  Senza titolo (to Ileana and Michael Sonnabend)1970  Azzurro, Oro2001  Untitled (SOTTOSOPRA)2000  Untitled1968  Add1968  Engagement1968  Triumph of Galatea1961  Spalding Soft Ball1962  Untitled1960  Untitled1961  Untitled (Hammer)1962  FOUR CHAIRS # 121962  Black Venus1967 - 2008  JAW BROKEN OCHRE2007  UNTITLED (BASKETBALL DRAWING)2002  Rock Head1998  INTERIOR WITH PAINTING OF TREES1997  Meringue Chantilly1962  Dessert on plate1962  Bread on breadboard1962  Vitello tonnato1962  FALLING OMELETTE1964  THIS IS ALL THAT REMAINS OF THE ORIGINAL STATUE1974  Steel Channel1968  Asta In Equilibrio1970  Wolken1970  Study for interior #21969  Untitled1964  Untitles1973  Map1971 - 1973  The Story Of One Who Set Out To Study Fear1982  Goya Series: so much and more1997  Pompei Gourmet Kitchen Glut (Neapolitan)1986  Terrae Motus1981  Robespierre1980  Pittore di fuoco1985  20 Aluminium Rectangle2008  Above All Else1991  Don’t think about it2001  Our Spunk1997  Untitled1995 ![Georg Baselitz, Schlafzimmer [Bedroom]](http://mm.fondazionedonnaregina.it/foto/box_80/opera292_museo_madre.jpg) Schlafzimmer [Bedroom]1975  Untitled2005  Wound1988  IN EXTREMIS VIII1994  Study for a Fashion Plate (B)1969  When Logics Die 212-2141999  Aminabenzoyl Hydrazide2008  Teapot1979  Seascape: floating costume to drift for eternity III (Elvis suit)1992  Bel canto1987  BOY1994  Girl1994  OTTODROME, MANUAL A (TRIPTYCH)1992  CREMASTER 4:3 LEGS OF MANN1994  Uffizi1989  Untitled1984  ENGADIN II2006  Portrait of a Young Woman with Child Full Length1995  What We Want, Death Valley, T542002 - 2008  Magma1985 - 1995  L'altra figura1986  Scribbles2012 |
Piero Manzoni
Achrome
1960 - 1961
Courtesy :
Archivio Opera Piero Manzoni, Milano
On display from 2007 to 2012 (February)
The term a-chrome (literally meaning “colorless”) was chosen by Manzoni to designate a cycle of works conceived in the autumn of 1957 and they continued to be part and parcel
of his development down to 1963, the year of his death. The first Achromes were white canvases soaked in kaolin (the white clay used in making china). The creation of the image
was simply entrusted to the form taken by the material as it set and not the artist’s intervention. In other words, the artist allowed the work to develop on its own, emerging directly from the intrinsic vitality of the material used. Manzoni considered the painting as a surface with an endless potential for creating images, regardless of considerations of the content, composition or dimensions. For this reason he stripped the painting of any external interference, extraneous to the pictorial surface, and opted for a plain, almost featureless texture and a material lacking in tears or stratifications. In this way he eliminated references to any social or personal drama, with the work evoking only its obvious, self-signifying presence. From 1960 on, in an intense experimentation with both natural and artificial materials, the Achromes explored multiple formulations over the years, even acquiring a three-dimensional value.
Manzoni was born in Soncino, in the province of Cremona, on July 13th 1933, of counts Meroni Manzoni di Chiosca and Poggiolo. He studied in Milan at the Leone XIII classical ...
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