19.01.08 | 28.04.08

Audience 08 Florence 2004 Audience 09 Florence 2004 VIA GIOVANNI TAPPIA Naples 1989 VICO DEI MONTI Naples 1988 Paradise 1 (Pilgrim Sands) 1998 Via Del Parco Margherita, Naples 1988 Via Della Sanità Naples 1988 Corso Vittorio Emanuele Neapel 1989 Via Vannella Gaetani Naples 1988 Via Giuseppe Verdi Milan 1992 Via Emilio Cornalia (Mit Hochhaus) Milan 1992 The Consolandi Family Milan 1996 New York 2001 The Lingwood & Hamlyn Family London 2001 The Richter Family 1 Köln 2002 The Falletti Family Florence 2005 The Okutsu Family In Western Room Yamaguchi 1996 The Ayvar Family Lima, S.M.P / Peru 2005 Veddeler Brückenstrasse Hamburg 1986 Via Monte Cardonet Rome 1988 Via Guglielmo (Mit Lkw) Rome 1988 Le Lignon (Horizontal) Geneve 1989 Via Emilio Cornalia Milan 1992 Piazza Virgilio Mailand 1998 Friedrich-Engels-Strasse Leverkusen 1980 Kanzlerstrasse 1, Duisburg 1989 Leipziger Strasse Essen 1989 Kunsthistorisches Museum 3 Wien 1989 Louvre 4 Paris 1989 Art Institute Of Chicago 1 Chicago 1990 Museo Del Prado 8-1 Madrid 2005 Museo Del Prado 8-2 Madrid 2005 Museo Del Prado 8-3 Madrid 2005 Museo Del Prado 8-4 Madrid 2005 Museo Del Prado 8-5 Madrid 2005 Paradise 9 1999 Paradise 22 2001 Stanze Di Raffaello 2 Rome 1990 Galleria Dell’ Accademia 1 Venice 1992 Cerro Morro Solar Lima / Peru 2003 Pasaje Gaspar Lima / Peru 2003 Calle Wakulski Lima / Peru 2003 Plaza Elguera Lima / Peru 2003 Pasaje Sta. Rosa Lima / Peru 2003 Jiron Cailloma Lima / Peru 2003 Drammen 1 Drammen/ Oslo 2001 Manzhouli Inner Mongolia, China 2002 Las Vegas 1 Las Vegas, Nevada 1999 Pudong Shanghai 1999 Chong Wen Meng Dong Beijing 1996 Hazienda Rio Palpa Palpa / Peru 2003 Paradise 30 2005

Thomas Struth

Via San Giovanni A Mare Neaples

1988

Courtesy :

In Naples, which he visited in 1988, Struth focused his interest not only on individual buildings but on the movement of a certain street or square, the modulation of the profiles of the buildings facing onto the street, following each other in unbroken sequence as far as the horizon or superimposed on one another in a relationship both fluid and structured. Consisting of a measured juxtaposition of blacks and whites and built up on a dense interweaving of light and shade, these views present Naples suspended between past and present, metaphysical in its disordered, estranging silence, heightened by the absence of people or any living thing. This spectral theatricality and the meticulous rendering of every detail focuses attention on a context in itself banal or all too familiar, made up of buildings, cars, signs, street vistas, making it possible to recognize and examine the historical stratifications of the varied elements that create the urban and architectural fabric of the city, the ideological coherence or incongruities of the interests that have shaped it, continually transforming its economic or political order.
 

Via Del Parco Margherita, Naples

1988

Via Della Sanità Naples

1988

VIA GIOVANNI TAPPIA Naples

1989

VICO DEI MONTI Naples

1988

Corso Vittorio Emanuele Neapel

1989

Via Vannella Gaetani Naples

1988

Geldern (Basso Reno) 1954
Born at Geldern in 1954, Thomas Struth began his artistic training by studying painting under Peter Kleemann and Gerhard Richter at the Kunstakademie of Düsseldorf ...
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