II FLOOR -
ROOM
3.9
materials and measurement
|
Materials
|
Acrylic on canvas
|
|
Height:
|
cm. 203.20 |
|
Width:
|
cm. 177.80 |
Other Works in
Historical Collection
Short sighted mirror 3
2006
Achrome
1960
- 1961
Corpo d’aria n.28
1959
- 1960
Merda d’artista (n.63)
1961
Linea 15,81
1959
Fiato d'artista
1960
untitled
1962
Concetto Spaziale
1960
La barra d'aria
1969
/ 1996
Untitled
1960
Payload
1962
Calendar
1962
Untitled
1967
A De Chirico
1962
Do it yourself (Target)
1960
Untitled
1960
Place of Power III
1989
Place of Power I
1989
Untitled
1968
A line in Ireland
1974
Direzione
1966
- 1967
Untitled
1971
Raw/War
1970
L'incidente
1964
Frammenti di un autoritratto anonimo
1969
- 1970
Untitled
1966
Senza titolo (to Ileana and Michael Sonnabend)
1970
Azzurro, Oro
2001
Untitled (SOTTOSOPRA)
2000
Untitled
1968
Add
1968
Engagement
1968
Triumph of Galatea
1961
Spalding Soft Ball
1962
Untitled
1960
Untitled
1961
Untitled (Hammer)
1962
FOUR CHAIRS # 12
1962
Black Venus
1967
- 2008
JAW BROKEN OCHRE
2007
UNTITLED (BASKETBALL DRAWING)
2002
Rock Head
1998
Meringue Chantilly
1962
Dessert on plate
1962
Bread on breadboard
1962
Vitello tonnato
1962
FALLING OMELETTE
1964
THIS IS ALL THAT REMAINS OF THE ORIGINAL STATUE
1974
Steel Channel
1968
Asta In Equilibrio
1970
Wolken
1970
Study for interior #2
1969
Untitled
1964
Untitles
1973
Map
1971
- 1973
The Story Of One Who Set Out To Study Fear
1982
Goya Series: so much and more
1997
Pompei Gourmet Kitchen Glut (Neapolitan)
1986
Terrae Motus
1981
Robespierre
1980
Pittore di fuoco
1985
20 Aluminium Rectangle
2008
Above All Else
1991
Don’t think about it
2001
Our Spunk
1997
Untitled
1995
Schlafzimmer [Bedroom]
1975
Untitled
2005
Wound
1988
IN EXTREMIS VIII
1994
Study for a Fashion Plate (B)
1969
When Logics Die 212-214
1999
Aminabenzoyl Hydrazide
2008
Teapot
1979
Seascape: floating costume to drift for eternity III (Elvis suit)
1992
Bel canto
1987
BOY
1994
Girl
1994
OTTODROME, MANUAL A (TRIPTYCH)
1992
CREMASTER 4:3 LEGS OF MANN
1994
Uffizi
1989
Untitled
1984
ENGADIN II
2006
Portrait of a Young Woman with Child Full Length
1995
What We Want, Death Valley, T54
2002
- 2008
Magma
1985
- 1995
L'altra figura
1986
Scribbles
2012
|
ROY LICHTENSTEIN
INTERIOR WITH PAINTING OF TREES
1997
Courtesy :
Private Collection
On display from 2009 to 2012 (February)
From the early nineties Lichtenstein was inspired by advertisements for furnishings and designer products, which he found in phone books or magazines, to create a series of
portraits of modern domestic interiors. The flat image of the photographic reproduction was emphasized by a concise vocabulary, made up of essential lines and flat
fields of colour with a markedly graphic matrix to exalt the industrial origin of the furniture and products represented. Chiaroscuro is also rendered with stippling or hatching
of varied density, a technique borrowed from commercial printing or design lettering. The scene is counter-pointed with a few naturalistic details, like the vase of flowers that
appears on the far wall. They are interiors with vaguely post-modern designs which, in the orderly, calm, middle-class perfection suggested by their pastel colours, look like doll's
houses rather than flesh-and-blood people. At the same time, the systematic absence of any human presence conveys the sense of a void in these interiors of respectable society,
made up of appearance rather than substance. In a close comparison with the Post- Impressionist tradition – which in the late nineteenth and early twentieth century
developed the themes of modern life through new compositional principles and new relations between figure and ground, between sign and colour – in this cycle of works Lichtenstein seems to reflect on painting’s potential to represent the contemporary world: synthetic, hi-tech and digital.
ROY LICHTENSTEIN
New York 1923
| New York 1997
The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely ...
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