13.12.09 | 05.04.10

Heaven 2008 / 2009 Mirror-portraits-stress of our society 2009 Fraught Times: For Eleven Months of the Year it's an Artwork and in December it's Christmas (October) 2008 Many 2009 Natural Historie on the altar Natural Historie on the parapet 2008 Dolphin 2002 Worker 2006 Paravent 2008 Daybed 2998 Dass Kapital ist Kaput? Ya? Nein! Dummkopf! 2008 Rivers of Blood 2007 Ship of Fools 2009 Disasters of War III 2000 Men move an engine block 2008 Mbreti dhe Mbreteresha 2007 Manhole 2000 Moulin Rouge 2009 Romeo e Giulietta 2006 432 Hz 2009 Puppets 2009 Black Sun 2004 Saint Bartholomew, Exquisite Pain 2006 Black Sheep, Divided 2008 Lost Memories and Dreams Forgotten 2008 / 2009 Chaplet 2009 FAEZEH 2008 Untitled (# 471) 2008 Smash Armed faith Rosetted 2008 Bombers 2006 Europe Supported by Africa and Asia 2009 V Shadow 2005 Dark Brother 2005 Crepe nel tempo 2009 Is freedom therapeutic? 2009 Cremaster 3: The Five Points of Fellowship 2002 Untitled 2009 Ora 2008 Etude Documentaire. Le Drapé- le Baroque. Sein unique: monstration phallique Reliquaire Ma chair, le texte et les langages (grand reliquaire anglais) 1993 Reliquaire Ma chair, le texte et les langages (grand reliquaire italienne) 1993 Le Drapé- Le Baroque Étude documentaire en marbre : Le Drapé-le baroque. Buste d'ORLAN en sainte ORLAN 1978 Vierge blanche aux deux croix et au regard en coin (white virgin with two crosses and a sidelong look) 1983 Vierge Noire Manipulant une croix blanche et une croix noire (Black virgin wielding white cross and black cross) 1983 Operation Reussié , 1991, 8’30’’ Omnipresénce , 1993, 1h 20’ 1977 - 1993 Opération-chirurgicale-performance n°7 dite Omniprésence Gros plan sur un des rires 1993 Relational 2009 Four Seasons 2009 Untitled 2009 Untitled 2008 Tutti giù per terra (We all fall down) 2004 - 2009

ANISH KAPOOR

Moon Shadow

2005

Courtesy :

Anish Kapoor’s work is suspended between a dramatization of art actions with a Western matrix and the meditative strain of the Oriental tradition. A constant feature of the artist’s practice is the process of transformation of matter, continually distorted in the literal sense of the term, being deprived of a predetermined form. Kapoor seems to prepare the viewer for the revelation of an inner apparition, innate in matter, an original development of the work which announces the solemn staging of a profound and hidden reality; an exaltation of the infinite, of the mystery, which is charged with a spiritual and transcendent value. His is a true poetic of the void and solid, as in the Baroque: sinuous forms capture the viewer’s attention by creating open-ended structures, suspended between material and immaterial, male and female, out of respect for the dualism from which, as the artist loves to repeat, all form springs.

V Shadow

2005

Dark Brother

2005

Bombay 1954
«I’m thinking about the mythical wonders of the world, the Hanging Gardens of Babylon and the Tower of Babel. It’s as if the collective will comes up with ...
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